So, what makes our architecture “Gothic”?
- the soaring, steeply-pitched ceiling
- the pointed Gothic arches—7 across the front of the chancel alone
- the buttresses that strengthen the outer walls, allowing for . . .
- . . . an abundance of windows admitting clear, pure light .
- a featured stained-glass window
(though not a more traditional rose window; for that, check the chapel).
- the impressive spire and the carillon tower
- a majestic organ
And why do we call it NEO-Gothic?
- an absence of excessive ornamentation inside and out
(Drive by St Mary’s cathedral for contrast.)
- emphasis on clean, compelling sight-lines
- a simple, shingled roof
- visual unity resulting from the universal Carthage Limestone facing
(Carthage Limestone is quarried in the vicinity of Carthage, Missouri.
It’s known for its hardness {durability} and colorfastness: When we
built our recent elevator addition, the difference between the new stone and
the existing sixty-year-old stone proved to be barely noticeable.)
• Sadly, per a short-lived fad of the 1950s, all of the Möller Organ’s pipes were hidden from view.
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